Chikankari
Lucknow’s fine hand embroidery. Surface and shadow stitches that read as texture before they read as pattern.

Lucknow · Uttar Pradesh
Notice stitch variety, spacing, reverse-side neatness and how embroidery follows the drape of the cloth.
Technique leaves evidence.
The embroiderer transfers the design to the cloth and works it by hand, moving between surface stitches and the shadow work that gives the tradition its depth.
We name a maker only when we can prove it. Where a piece carries a maker’s name, that name has been verified.
Whitework where the stitch is meant to read as texture before it reads as pattern.
Where it comes from
Lucknow and the surrounding districts of Uttar Pradesh. The craft supports a very large number of embroiderers, most of them women working from home, and holds a Geographical Indication.
How the tradition developed
The tradition is long associated with Lucknow's courtly culture, and popular accounts link its introduction to the Mughal period. It was historically worked white-on-white on fine muslin for a hot climate; the coloured and mixed-media work now common is a more recent development.
How it is made
A block-printed outline is stamped onto the cloth in a washable blue, and the embroiderer works over it by hand. The vocabulary runs to more than thirty named stitches, each with its own job: bakhiya is worked from the reverse so the doubled thread shows through as shadow, murri and phanda build small raised grains, and jaali is made by parting the warp and weft with the needle to open a net without cutting a single thread. The printed guideline washes out at the end, which is why the finishing wash matters as much as the stitching.
What it is made of
Cotton muslin, voile, georgette, chanderi and silk. Untwisted cotton thread, sometimes silk.
What to look at
Turn the garment inside out. Fine work is tidy on the reverse. Look for jaali that has been opened with the needle rather than cut, varied stitch types rather than one repeated everywhere, and no blue guideline remaining.
Living with it
Hand wash gently in cold water, do not wring, dry flat in shade, and iron on the reverse over a cloth.
For gifting at volume
Well suited to gifting where a light, refined textile is wanted. Simpler stitch repertoires scale to volume; heavily worked pieces do not.
Craft-level description compiled by TGA. We describe traditions and techniques here, not individual makers — a maker is named only where we have verified them.

